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【精品推荐】牛郎织女图赏析

花匠小妙招
2024-12-01 09:21

随着中国经济的发展和文化消费时代的来临，中国的收藏者队伍日渐壮大。中国书画的收藏历史已经时间悠久，字画作为一种陶冶情操的精神文化产物，可以极大的提高藏家的艺术修养和欣赏能力，具有很高的收藏价值。

With the development of China's economy and the advent of the era of cultural consumption, the number of collectors in China is growing. Chinese painting and calligraphy collection history has a long time, calligraphy and painting as a spiritual cultural product of edifying sentiment, can greatly improve the collector's artistic accomplishment and appreciation ability, has a high collection value.

此幅《牛郎织女图》，总长286厘米、总宽31厘米，保存完好，图文清晰，非常精致，颇具收藏价值。画卷右侧书有题款“牛郎织女”、“岁在辛巳仲春寿平题”字样，并钤盖印章。画面从左往右看，一条青石小道蜿蜒出去，在路头上，一头老黄牛正悠闲的吃草，赤足的牛郎手捧身下孩子的小脸，身着淡粉衣服的男孩正垫着脚尖，两人似在谈论什么，其身后的古树枝叶繁茂，盘根错节；容貌秀丽的织女半跪在地，手捧织线正在织衣，一旁有一女子手捧布匹侧身而立，左边一小童手捧布匹举步向前；两个小童在栅栏边上偷偷观看，一侧高处有衣物晾晒，下面远处有一口水井，近处有一个水桶，几只家鸡随意的在啄食，好一派田园风光！

This "cowherd zhinv", the length of 286 cm, the total width of 31 cm, well preserved, clear text and text, very delicate, quite collectable value. On the right side of the scroll were inscribed the words "cowherd and weaver girl" and "age in xinsi zhong chun shou ping", with its seal. The picture is seen from left to right, a bluish stone path winding out. At the head of the road, an old cattle is leisurely eating grass, the barefoot cowherd is holding the child's small face under him, and the boy in a light pink dress is on his toes. The beautiful weaver girl was half kneeling on the ground, knitting with her hands full of thread. At one side a woman stood on her side with her hands full of cloth. Two children peeked at the edge of the fence, with clothes drying on one side, a well in the distance below, a bucket near, a few chickens picking at random, what an idyllic scene!

但是画面一转，在黝黑深邃的大石之后，一阵祥云缭绕，一众大仙相拥而来。所谓善者不来，来者不善。两位仙人手持掌扇，护在手柱龙头拐杖、衣着华丽的王母娘娘后面，威仪万千，王母娘娘抬首远望在人间生活的织女。王母其后有手持玉牌、拿着拂尘的仙官，有身披战甲、手拿武器的武官，形态各异，姿势缥缈，仙韵十足。正是王母娘娘率人下凡捉拿织女回天庭的画面，“迢迢牵牛星，皎皎河汉女”，相爱的牛郎织女即将分别。

But as soon as the picture turns, after the dark and deep stone, a burst of auspicious clouds wind around, a group of big fairy embrace and come. It is not good that a good man should not come. The two immortals hold a fan, protect the hand column bibcocks crutches, dress luxuriantly behind the queen mother, majesty and ceremony myriad, the queen mother raised her head far away in the world life zhinv. After the queen mother, there are fairy officials holding jade CARDS and holding dust, and military attles wearing armor and holding weapons, of various forms, ethereal posture, full of fairy charm. It is the queen mother led people down to catch zhinv back to the scene of heaven, "such as long as the Altair, bright and bright river han female", love the cowherd zhinv is about to separate.

在画卷的最后，几行娟秀的小字简单的介绍了此画的作者及自己的看法。大意如下：“华喦，清代画家，字秋岳，号新罗山人、东园布衣生、离垢居士等，福建上杭人。少时喜绘事，擅画人物山水，精花鸟。此牛郎织女图，其人物优美，描绘中国民间故事，家喻户晓，实为稀世之珍品也。岁次辛巳年春月寿平题。”在这段话语中，出现了两位非常著名的书画家。华喦，即华岩（1682-1756），为康乾时期的绘画大家。从整体来看，《牛郎织女图》为华岩作的画，后有恽寿平题字，评价极高，堪称稀世珍品。此藏品为精心锤炼而成，笔意纵逸超脱，设色清丽，形象生动逼真，是不可多得的佳品，升值空间必然极大，值得珍藏。

At the end of the scroll, a few lines of fine fine print simply introduce the author of the painting and his views. The main idea is as follows: "hua yan, qing dynasty painter, styled qiu yue, styled xilaoshan man, dongyuan cloth clothing man, liwei jushi, etc., shanghang, fujian. When I was young, I liked painting, good at painting landscapes, fine flowers and birds. This picture of cowherd and weaver maid, with its graceful characters, depicts Chinese folk tales. The year of the spring months on the flat." In this speech, appeared two very famous calligraphers and painters. Hua yan, also known as hua yan (1682-1756), was a painter of the kang-qian period. From the whole point of view, "cowhand weaver girl" the picture that makes for hua yan, have after yun shouping inscription, appraise extremely high, can say rare treasure. This collection is carefully tempered and become, pen yi yi detached, color qingli, vivid image, is rare good product, appreciation space must be great, worth collecting.

自古以来，字画是中国文化的重要组成部分，承载着中国文化的历史与未来。随着经济的发展，文化艺术产品丰富，收藏者可选择的书画作品越来越多很多。收藏者可以选择各种题材的作品，挑选自己喜欢的，不迷信名头，渐渐成为字画收藏者的收藏信条。时下，大众对书画作品有着越来越大的需求，再加上中国字画的丰富灿烂的文化性与艺术性吸引了大众资金投入书画界，全民字画收藏投资趋势势不可挡，市场前景非常好。

Since ancient times, calligraphy and painting is an important part of Chinese culture, bearing the history and future of Chinese culture. With the development of economy and the abundance of cultural and artistic products, there are more and more works of calligraphy and painting for collectors to choose from. Collectors can choose a variety of subject works, choose their favorite, not superstitious name, gradually become a calligraphy and painting collectors collection creed. Nowadays, the public has a growing demand for calligraphy and painting works, coupled with the rich and brilliant cultural and artistic quality of Chinese calligraphy and painting to attract public funds into the painting and calligraphy industry, the trend of national calligraphy and painting collection investment is unstoppable, the market prospects are very good.

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